Westminster Hall Debate: Supporting UK Artists and Culture

November 22nd 2022

Watch my contribution here. 

With everybody incredibly anxious about what is going to happen to energy bills, with food prices soaring and with the NHS and public services struggling, it might seem an odd time to be raising the issue of funding for the arts, but it is absolutely right for us to do so. As well as helping drive our economy, as the hon. Member for Gosport said, our culture and arts are central to how we define ourselves individually and as a nation.

We must not allow public policy to drive the cultural impoverishment of this country, but unless the Government step in to stop that or the Arts Council can be persuaded to think again, that is exactly what is going to happen with the closure of the English National Opera at the Coliseum. We cannot stand by while the ENO, which is artistically excellent, economically vital and culturally important, is closed and, with that, see the end of the social engagement and widening access that is central to the ENO’s mission.

The Arts Council has removed all funding from the ENO at the Coliseum, meaning that, as the hon. Member for Bromley and Chislehurst (Sir Robert Neill) rightly said, 300 skilled artists, dedicated professionals and other employees will be thrown out of work. The Arts Council spin was that the ENO was to be relocated as part of levelling up. The Guardian said that the ENO

“is to relocate outside London”

and the BBC said:

“English National Opera to leave London as arts funding gets levelled up”.

The briefing was that the ENO was going to Manchester—not only was that a bolt out of the blue to the ENO, but it was the first time Manchester had heard of it, and it was not what they wanted. The Arts Council is closing the ENO with a tremendous cultural loss and nothing to show for it up north.

What the Arts Council proposes to do is completely wrong, but the way it has gone about it—with no consultation and, frankly, misleading spin—is shameful. It should think again. Yes, times have changed and times are hard, but difficult decisions should be made carefully, not with a wrecking ball. I am backing the ENO’s call for three things: a strategic review of opera as a whole; that the Arts Council should agree realistic funds for the ENO for a period of four years; and that the Arts Council should agree a period of five years to consult on a new model, based on the ENO retaining its Coliseum base but increasing still further its fundraising and work outside London.

As has been said, the ENO has effective leadership; I pay tribute to that and it is also fully acknowledged by the Arts Council. It has a dedicated company of employees who deserve better than to be thrown out of work in April next year. The ENO means a great deal to many, as emails from my constituents can attest. I thank all those who have contacted me and assure them that the ENO will have my full support.

Surely Sir Nicholas Serota does not want his legacy to be the closure of the ENO; if he goes ahead with the closure, that will be the only thing everybody will remember about him and his tenure at the Arts Council. The decision to close the ENO is wrong, and the best thing to do with a wrong decision is to change it. The Government have been quite active on that front in the past, with U-turns here and there—this would be one U-turn that would be universally welcomed. I welcome the Minister to his role and I hope to hear in public, or even in private—whatever is necessary—that he will step in, and that the ENO will not be closed.